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Triads of a Key: For Bass Guitar (Bass Technique Book 4) Lynne Davis Triads of a Key: For Bass Guitar (Bass Technique Book 4) book BitTorrent free
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The reason for dwelling on the cycles is that ALL songs, especially Standards (Real Book tunes) have mostly cycle chordal progressions in them, it makes sense to *know* your cyclesIncludes CD with instruction and backing tracksOooh, all those sharps, but G is a "sharp" key, in jazz and certainly in pop these days that has been mostly influenced by jazz chordal thinking, you play in mostly flat keys: F Bb Eb Ab Db and even Gb, the only sharp keys that are popular in pop is G and maybe D (some bossas are in the key of D), the rest are mainly country song and hard rock keys (for the open strings on guitars): A & EIn jazz and jazz fusion, roots are often omitted from chords when chord-playing musicians (e.g., electric guitar, piano, Hammond organ) are improvising chords in an ensemble that includes a bass player (either double bass, electric bass, or other bass instruments), because the bass player plays the rootIn music theory, the concept of root is the idea that a chord can be represented and named by one of its notesFor the minor in the chordal scales, it's the same relative notes, you don't keep within the key it's apparently in, every minor is treated the same way, as a "ii" chord: Am -- B A G# A D C B C F# E D# E B A G# A, this is still keeping within the key of G, but for Bm, notice that you are still treating Bm like the "ii" chord it really is and going out of the key of G then: Bm is: C# B A# B E D C# D G# F# F F# and so on however long you want to take it
Chords in atonal music are often of indeterminate root, as are equal-interval chords and mixed-interval chords; such chords are often best characterized by their interval content.You can find the notes for the triad by playing any scale up to the 5th note, skipping every other noteGlad you like it, thanksA comparison of the diminished 7th Play(helpinfo) and dominant 7th (9) Play(helpinfo) chordsKeep it upLet friends and family pick the titles they want, while you help them grow as musiciansBASS TIPS: Vibrato Jaime looks at this expressive effect, but warns, if you are playing a fretless instrument, this is NOT a mask for poor intonation! BASS TIPS: Tremolo Jaime explains the rapid repetition of one or two notes we call tremoloThere are four kinds of triads and they arefound in the Major (or diatonic) scaleAssumed root, Am7/B: A minor ninth chord without root and with B in the bass. Play(helpinfo) Am9/B, Am7, then full Am9
I'll use open strings as "note-fillers", quick little fill-in notes no matter the keyOne doesn't have to study for "years" to immediately get some good walking lines to use for tunesThe possibilities are endlessWhen I first began teaching elec2 stands for the middle fingerI just think that unless you're a real Jaco on the bass with soloing, and/or play in a church where they like that low rumbling B string, the 4-string is itFor that, you must take into account the intervals, the sequence of the notes and the amount of notes of the scale or mode 2ffeafca65